On Writing
I read a great interview with the author Ann Beattie today from the Paris Review. One of the thoughts on writing that really stuck out for me was the following:
My students make fun of me for saying, I’ve read this carefully now, and you’ve written it carefully—too carefully. The phone never rings, people get to talk for four pages without interruption. We’re used to daily life being the fire truck coming by with its deafening siren. To put that siren in fiction—and not at the convenient moment, but maybe a minute before the convenient moment, or way after the convenient moment—is a kind of acknowledgment to the reader that you’re aware there’s another life out there that’s out of control. As a writer, it’s an advantage to work within open-ended, messy moments.
It's a very good piece of advice for storytelling. Too often things wrap up neatly at the end of the half hour. Roles are clearly defined. People give big speeches that are perfect. When was the last time any of those things happened in life? More often the resolution never happens, ethics and morals are blurred, and people talk a lot but nothing is ever really said. The mess is what makes good writing compelling.

